生育的世纪

类型
剧情片
地区
菲律宾语
年份
2011
语言
菲律宾语
评分
8.5
导演
拉夫·迪亚兹
主演
Perry,Dizon,安吉尔·阿基诺,巴特·金戈纳,Haz…
集数
正片
最近更新
2022年10月11日

简介: 详情 ∨

A majestic film in which two stories easily fit. One about a filmmaker who is a little like Diaz himself and wrestles with the completion of his film and with greedy film festival programmers. And one about a religious leader. Also a little like Diaz himself? The films of Lav Diaz often tell serious epic stories, but they are still not entirely free from humour and satire. For instance in this film, Diaz takes the mickey out of festival programmers and also sketches a picture of himself that is not entirely free from self-mockery. The film has two or three stories (also a film in the film) and one of them focuses on the filmmaker Homer, who very much resembles Lav Diaz himself. The tortured filmmaker wrestles with completing his film. Despite pleas from those around him and from eager programmers, he continues to refuse to regard his film as finished. Alongside the story about a nun in the film on which Homer is working, there’s another story about the religious leader Father Turbico. Turbico leads a sect in the countryside that is primarily made up of young women. When one of the women wants to leave the sect, a dramatic situation ensues. By telling the stories in parallel, similarities become visible between Homer’s struggle with cinema and Turbico's struggle with faith.

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剧情简介

一、被称为剧情片的开先河之作的《生育的世纪》,是拉夫·迪亚兹最好的作品吗?

从拉夫·迪亚兹斩获剧情片最佳导演我就觉得这部《生育的世纪》是他最好的剧情片。虽然拉夫·迪亚兹后来还拍出来了评价特别好的剧情片,但是《生育的世纪》是他剧情片的代表作品。

二、《生育的世纪》是哪一年上映的?

《生育的世纪》是拉夫·迪亚兹于2011年拍摄的一部经典剧情片。此片开创菲律宾语当代剧情片的先河,《生育的世纪》上映时票房稳坐前三,创下当年纪录。当时Perry,Dizon,安吉尔·阿基诺,巴特·金戈纳,Hazel,Orencio,Betty,Uy-Regala,Roeder,乔尔·托雷,安吉莉·芭雅妮,Soliman,Cruz,Modesta,Dante,Perez,Noel,Miralles,Kim,Perez均为最佳主角,Perry,Dizon,安吉尔·阿基诺,巴特·金戈纳,Hazel,Orencio,Betty,Uy-Regala,Roeder,乔尔·托雷,安吉莉·芭雅妮,Soliman,Cruz,Modesta,Dante,Perez,Noel,Miralles,Kim,Perez以精彩演技和突出形象,奠定在菲律宾语影坛地位。Perry,Dizon,安吉尔·阿基诺,巴特·金戈纳,Hazel,Orencio,Betty,Uy-Regala,Roeder,乔尔·托雷,安吉莉·芭雅妮,Soliman,Cruz,Modesta,Dante,Perez,Noel,Miralles,Kim,Perez饰演角色造型多年后仍为人所模仿。拉夫·迪亚兹之前曾被人怀疑其能力,而《生育的世纪》却奠定拉夫·迪亚兹剧情片风格。《生育的世纪》首映时曾获海外剧情片和媒体广泛称誉,被认为其优秀程度,是足以与同时期(指2011年代)菲律宾语(菲律宾语)优秀剧情片齐名。

三、《生育的世纪》为什么可以成为经典?

提起菲律宾语,人们就肯定会说出《生育的世纪》的名字。这部由拉夫·迪亚兹导演,Perry,Dizon,安吉尔·阿基诺,巴特·金戈纳,Hazel,Orencio,Betty,Uy-Regala,Roeder,乔尔·托雷,安吉莉·芭雅妮,Soliman,Cruz,Modesta,Dante,Perez,Noel,Miralles,Kim,Perez主演的《生育的世纪》,在当时,真的是成为了一匹黑马,杀出了一条血路,创造了一个奇迹。为何会这么说,我想,就连拉夫·迪亚兹导演和Perry,Dizon,安吉尔·阿基诺,巴特·金戈纳,Hazel,Orencio,Betty,Uy-Regala,Roeder,乔尔·托雷,安吉莉·芭雅妮,Soliman,Cruz,Modesta,Dante,Perez,Noel,Miralles,Kim,Perez,都没想到这部剧情片会得到这样好的反响。拉夫·迪亚兹先生曾说过,这是一群失意的人凑到了一起创作出来的一部作品。因为在《生育的世纪》开拍之前,Perry,Dizon,安吉尔·阿基诺,巴特·金戈纳,Hazel,Orencio,Betty,Uy-Regala,Roeder,乔尔·托雷,安吉莉·芭雅妮,Soliman,Cruz,Modesta,Dante,Perez,Noel,Miralles,Kim,Perez已经有几年无戏可拍,而Perry,Dizon,安吉尔·阿基诺,巴特·金戈纳,Hazel,Orencio,Betty,Uy-Regala,Roeder,乔尔·托雷,安吉莉·芭雅妮,Soliman,Cruz,Modesta,Dante,Perez,Noel,Miralles,Kim,Perez主演的剧情片,票房始终不理想,这样的几个人凑在了一起,也真是缘分!所以,正是这样的失意感和强烈的自尊心,他们在剧情片中投入的热情,是我们难以想象的,其实《生育的世纪》中的人物心理历程和感人的剧情,何尝不是现实中他们的真实写照呢?所以,他们怀着一腔心有不甘的英雄气,用他们的实力和人情成就了这部经典剧情片,也成就了他们自己!

四、如何评价《生育的世纪》?

《生育的世纪》口碑非常好深受广大观众喜爱,《生育的世纪》一经播放立刻引来无数人点赞,不仅Perry,Dizon,安吉尔·阿基诺,巴特·金戈纳,Hazel,Orencio,Betty,Uy-Regala,Roeder,乔尔·托雷,安吉莉·芭雅妮,Soliman,Cruz,Modesta,Dante,Perez,Noel,Miralles,Kim,Perez演的好而且该剧情片故事情节也非常紧凑,优酷影视(hhyy1123.com)观看起来特别流畅同时还能扣人心弦,虽然目前《生育的世纪》收视率一般但是该片目前受欢迎程度已经名列前茅。该剧情片主演Perry,Dizon,安吉尔·阿基诺,巴特·金戈纳,Hazel,Orencio,Betty,Uy-Regala,Roeder,乔尔·托雷,安吉莉·芭雅妮,Soliman,Cruz,Modesta,Dante,Perez,Noel,Miralles,Kim,Perez,她在该剧情片中的演技可圈可点,受到观众认可。

五、《生育的世纪》讲述的是什么故事?

《生育的世纪》A majestic film in which two stories easily fit. One about a filmmaker who is a little like Diaz himself and wrestles with the completion of his film and with greedy film festival programmers. And one about a religious leader. Also a little like Diaz himself? The films of Lav Diaz often tell serious epic stories, but they are still not entirely free from humour and satire. For instance in this film, Diaz takes the mickey out of festival programmers and also sketches a picture of himself that is not entirely free from self-mockery. The film has two or three stories (also a film in the film) and one of them focuses on the filmmaker Homer, who very much resembles Lav Diaz himself. The tortured filmmaker wrestles with completing his film. Despite pleas from those around him and from eager programmers, he continues to refuse to regard his film as finished. Alongside the story about a nun in the film on which Homer is working, there’s another story about the religious leader Father Turbico. Turbico leads a sect in the countryside that is primarily made up of young women. When one of the women wants to leave the sect, a dramatic situation ensues. By telling the stories in parallel, similarities become visible between Homer’s struggle with cinema and Turbico's struggle with faith.

六、《生育的世纪》剧情片的主要内容

《生育的世纪》是一部剧情片,由导演:拉夫·迪亚兹执导,主演:Perry,Dizon,安吉尔·阿基诺,巴特·金戈纳,Hazel,Orencio,Betty,Uy-Regala,Roeder,乔尔·托雷,安吉莉·芭雅妮,Soliman,Cruz,Modesta,Dante,Perez,Noel,Miralles,Kim,Perez。《生育的世纪》A majestic film in which two stories easily fit. One about a filmmaker who is a little like Diaz himself and wrestles with the completion of his film and with greedy film festival programmers. And one about a religious leader. Also a little like Diaz himself? The films of Lav Diaz often tell serious epic stories, but they are still not entirely free from humour and satire. For instance in this film, Diaz takes the mickey out of festival programmers and also sketches a picture of himself that is not entirely free from self-mockery. The film has two or three stories (also a film in the film) and one of them focuses on the filmmaker Homer, who very much resembles Lav Diaz himself. The tortured filmmaker wrestles with completing his film. Despite pleas from those around him and from eager programmers, he continues to refuse to regard his film as finished. Alongside the story about a nun in the film on which Homer is working, there’s another story about the religious leader Father Turbico. Turbico leads a sect in the countryside that is primarily made up of young women. When one of the women wants to leave the sect, a dramatic situation ensues. By telling the stories in parallel, similarities become visible between Homer’s struggle with cinema and Turbico's struggle with faith.